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Every year, usually on the Sunday morning following the big Corrida, the Real Maestranza de Caballería de Ronda and the Real Club de Enganches de Andalucía hold a competition to pick the best horse and carriage.
The prizes aren’t significant, no more than a few hundred Euros, but the honour of being awarded the Champion of Champions Trophy at this event far outweighs any other prize on offer at the other provincial Ferías.
Several classes of carriage are judged, starting with single horse carriages, all the way to six horse teams arranged three across. Carriages fall into two and four wheel classes, covered and uncovered, and are usually in immaculate condition. Carriage owners take great pride in the appearance of their carriages, the horses, harnesses, and of course themselves. Click the “continue reading” to see images and video of the horse and carriage show. Continue reading “Las Enganches” Horse and Carriage Show – Goyesca Ronda→
No trip to Ronda would be complete without hearing at least a small amount of Flamenco guitar. But to visit one of Celias concerts is an absolute treat. She is one of the most talented flamenco guitarist I have ever heard and she can be seen playing at Calle Calvo Asensio, 8. (RONDA) at 7.70pm most nights.
At 10 euros per person, the entrance fee is amazingly cheap to see this wonderful composer and musician. You can go to her website and hear some of her work as the music starts to load as you open the home page. Check out the below video to see here in action. Truly talented.
The Ronda style as it is known originated by accident in Ronda’s Philip II’s Centre for Horsemanship when a gentleman training on horse was unseated in the path of a bull they used to train officers in horsemanship.
A local man, Francisco Romero distracted the bull on foot using his hat, thus securing both the life of the aristocrat, and inventing a new form of bullfighting perfected by his grandson, Pedro Romero (1754-1839).
Ronda’s museums are a delightful way to spend a few hours for both holiday makers and residents alike. Children will love the Lara Museum, while adults may prefer the museum of wine, and art aficionados will positively love the collection of Joaquin Peinado.
Ronda Municipal Museum Located in the historic Mondragon Palace (Palacio de Mondragon), the Municipal Museum of Ronda details our city’s history from the stone age to the present time with some very well made exhibits such as the Pileta Cave reconstruction, the stone age hut, iron age technology including sword making, the Roman period with an important exhibit on Acinipo, Moorish Ronda including a detailed exhibit of Arab funeral rites, and a very interesting display on life in Ronda’s heyday, the 17th and 18th centuries.
“Flamenco”—the word calls up an image of a slender dancer in an elaborate, ruffled costume with her fringed shawl and her castanets. Certainly, this stereotype has been perpetuated in everything from airline posters to dolls made for souvenirs. To some, this is flamenco for tourists, as they embrace the cante jondo, the deep song of agonizing lament sung by a man, a cantaora, without accompaniment, or with a single guitar. This, they claim, is authentic flamenco, the blues of Andalucía, improvised in jam sessions called juergas, sung because it must be sung, not because someone is listening or watching.
Alan Pearson, a retired maintenance engineer from the UK discovered a passion for painting as a young boy, and has developed his art around the scenes he sees in his daily routine. Many of the canvases in Alan’s portfolio date back to the 1980s while working in England, although he has been at his most prolific since moving to Spain.
A joint exhibition of the Artist Andalucia group from the Serranía de Ronda and Northern Cadiz yesterday launched their most recent exhibition at the Grazalema Tourist Information Centre using the large gallery space to full advantage. Two of the artists were particularly pleased that sales of their works were made on the first day of opening.
A very large crowd of visitors descended on the Tourist Centre to see the exhibition, with Clive Muir, owner of the centre estimating over 500 people made it for the first 4 hours of opening. Guests included large numbers of expatriate residents and Spaniards from Grazalema interested in seeing such a large exhibit.
Patricia Lane, a local artist from Montejaque in the Guardiaro Valley was first to sell a piece, nearly two hours before the exhibit opened with the buyer sneaking into the exhibit space to get claim their desired painting. Patricia confided to Ronda Today that she was absolutely shocked, but delighted all the same since she had a goal of selling just one painting, luckily extra paintings were on hand to avoid an empty space as guests, friends, and art afficionados started arriving.
Another local artist Alan Pearson of Olvera also sold one of his works, an event which excited all of the artists who rarely have the chance to celebrate the good fortune of one of their own since most other galleries and artists markets of the Serranía seem to be poorly frequented.
Christine Ellingham, a prominent Benaojan artist stated to Ronda Today that she was immensely excited to be associated with the exhibit in the Grazalema Tourist Information Centre because the owners are so active in promoting locally produced goods and that the spin off for artists is fantastic.
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